I have become quite addicted to movie going of recent times. Just this last week I have seen Oranges and Sunshine, Incendies a French film about twins searching for their father and brother (more on this movie in a later blog) and yesterday I saw The Cave of Forgotten Dreams. Click here to see the trailer.
The International Film Festival is on at present and we are spoiled for choice.
But back to yesterday’s movie. It is a documentary about the finding of the cave in 1994 by three spelunkers and it takes us into the cave to see the fantastic drawings made by primitive man; but drawings that are not at all primitive.
Directed and fronted by Werner Herzog. the acclaimed German film director and producer, it is a powerful insight into a life so far removed from ours in time and distance. On the subject of the art Herzog says “Art … as it bursts on the scene 32,000 years ago, is fully accomplished. It doesn’t start with ‘primitive scribblings’ and first attempts like children would make drawings,” Herzog says. “It’s absolutely and fully accomplished.”
Herzog was first alerted to these cave drawings by Judith Thurman who wrote about them in her Letter from Southern France in the New Yorker in June 2008.
The cave has been named the Chauvet after one of the three men who discovered it, and it is in the Ardèche valley in Southern France. We are told it is about 400 metres long with many huge chambers. The floor of the cave is littered with archaeological and palaeontological remains, including the skulls and bones of cave bears, which hibernated there, along with the skulls of an ibex and two wolves. The cave bears also left innumerable scratches on the walls and footprints on the ground.
Of particular interest in the movie, is when Dominique Baffier, archaeologist and curator of Chauvet Cave, tours the drawings . Each one tells a story. She points us to a hand print that clearly shows the owner has a bent little finger on his right hand. Further into the cave she shows this same print at one of the drawings.
In another mystery, only one human form was drawn. On a rock pendant, the bottom half of a woman with Venus of Willendorf proportions appears. The team mounts its camera on a stick to reveal the upper half of the image for the first time. It is a bison head.
The cave is not open to view and Herzog considers himself particularly lucky to have been given this opportunity.
The 3-D camerawork brings viewers more deeply into the cave. Herzog’s offbeat narration and metaphysical musings keep the film lively. A sacred feeling is evoked in kinship with the ancients.
Only a small camera and four small, portable panel lights were allowed. Filmed under strict limitations to protect the delicate ecology, the scenes inspire awe.
I have spent all day so far, on the internet fining out more about this cave and the drawings and now I leave it to you to further research if you are interested.
- What Inspired Me About Cave Paintings (realestatearts.wordpress.com)
- Ecstatic Truth: Werner Herzog’s The Cave of Forgotten Dreams (themillions.com)